Finally, I can reveal what I have been working on, musically, for the last 18 months. At times I thought I would never finish, but it seems I have done. In 1986/7 I wrote the music for a musical, with my good friend and colleague the artist David Chandler. I was asked to do this by my then manager Patrick Williams (in return for a swanky new keyboard he had bought me). He told me that David had come across translations of the original German letters written by 20th century artist, Oskar Kokoschka, to a seamstress in Germany at the end of World War One. Oskar, shell-shocked and love-sick, wanted a life-sized model made to replace the lover who had deserted him - Alma Mahler (widow of the composer Gustav Mahler). The letters describe this misguided episode in Oskar's life, stitch by stitch. All, amazingly, a true story. David thought it was a great idea for a musical, which is where I came in. Wind forward 37 years - I decided this musical, which has never been performed (though it nearly was, at the ICA in London, in the 1980s) and which has haunted us both all that time, needed reworking. As I have started writing for String Quartet in the last few years, I decided to transcribe it all for String Quartet and two singers. I didn't realize quite what I had committed myself to, as my twenty-something year old notes where not saved in the best format (computers for music barely existed then) and it took a long time to analyse, rework and redefine music that had been written for a conventional band into String Quartet. But I made it! We are hoping to get this performed in at least one place, as it is eminently performable - a cast of only two, and four string players, are required, and the music is all scored out and ready to play -so if anyone knows of any venue/theatre who may be interested in putting it on please let us know! You can hear the full length work at the Rag Doll page